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The Beats: A Very Short Introduction [#364]
The Beats: A Very Short Introduction [#364]
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ビート・ジェネレーションの過激な視点と急進的なスタイルは、戦後アメリカで主流であった価値観に疑問を投げかけました。文学、映画、音楽、舞台、そして視覚芸術の中に、いまもその影響を感じとることができる、彼らの社会的、文化的、美学的感受性についてわかりやすくまとめ、解説します。
   

  • Takes advantage of the latest historical research
  • Relates the Beats' writing to twentieth-century music, film, and painting
  • Explores the Beats within the larger context of American culture and history
  • Examines interplay between Beat aesthetics and the political outlook of their day

 
In the late 1950s and early 1960s, the Beat Generation writers revolutionized American literature with their iconoclastic approach to language and their angry assault on the conformity and conservatism of postwar society. They and their followers took aim at the hypocrisy and taboos of their time—particularly those involving sex, race, and class - in such provocative works as Jack Kerouac's On the Road (1957), Allen Ginsberg's Howl(1956), and William S. Burroughs's Naked Lunch (1959). This volume offers a concise overview of the social, cultural, and aesthetic sensibilities of the Beats, bringing out the similarities that connected them and also the many differences that made them a loosely knit collective rather than an organized movement. Principal figures in the saga include Neal Cassady, Gregory Corso, Lawrence Ferlinghetti, John Clellon Holmes, Carolyn Cassady, and Gary Snyder; locations range from Greenwich Village and San Francisco to Mexico, western Europe, and North Africa; topics include Beat approaches to literature, drugs, sexuality, art, music, and religion.
    
Members of the Beat Generation hoped that their radical rejection of materialism, consumerism, and regimentation would inspire others to purify their lives and souls as well; yet they urged the remaking of consciousness on a profoundly inward-looking basis, cultivating "the unspeakable visions of the individual," in Kerouac's phrase. The idea was to revolutionize society by revolutionizing thought, not the other way around. This book explains how the Beats used their drastic visions and radical styles to challenge dominant values, fending off absorption into mainstream culture while preparing ground for the larger, more explosive social upheavals of the 1960s. More than half a century later, the Beats' impact can still be felt in literature, cinema, music, theater, and the visual arts. 

目次: 

List of illustrations
Preface

1: Origins and essences
2: Beats, beatniks, bohemians, and all that jazz
3: The writers and the books
4: The Beats and popular culture
5: The Beat legacy
References
Further reading
Index

著者について: 

David Sterritt, Professor Emeritus of Theatre and Film, Long Island University, USA
 
Professor Emeritus of Theatre and Film, Long Island University; Chair, National Society of Film Critics; Adjunct Professor, School of the Arts, Columbia University; and Adjunct Professor of Art History, Maryland Institute College of Art

"[Sterritt] offers a concise but illuminating commentary on the Beat movement... an excellent overview" --Journal of American Culture

商品情報

ISBN : 9780199796779

著者: 
David Sterritt
ページ
144 ページ
フォーマット
Paperback
サイズ
111 x 174 mm
刊行日
2013年08月
シリーズ
Very Short Introductions
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The Beats: A Very Short Introduction [#364]

The Beats: A Very Short Introduction [#364]

The Beats: A Very Short Introduction [#364]