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The Avant Garde: A Very Short Introduction [#342]
The Avant Garde: A Very Short Introduction [#342]

The Avant Garde: A Very Short Introduction [#342]

著者: 
David Cottington
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最先端の芸術を生み出すアーティストを指し、前衛的という意味でも使われる「アヴァンギャルド」は、100年以上にわたり、現代美術において最も影響力のある概念であり、現代文化史に絶大なインパクトを与えてきました。本書ではアヴァンギャルドがなぜそれほどまでの権威を持つようになったのか、また西洋の現代性や資本主義文化の発展の中にどのように息づいているのかを詳しく解説します。
  

  • Explores one of the most influential concepts in modern culture
  • Considers its different definitions and uses, and its history as an ideology
  • Examines the relevance of the avant-garde in the wider context of western modernity and our capitalist culture

  
'The avant-garde' is perhaps the most important and influential concept in the history of modern culture. For over a hundred years it has governed critical and historical assessment of the quality and significance of an artist or a work of art, in any medium-if these have been judged to be 'avant-garde', then they have been worthy of consideration. If not, then by and large they have not, and neither critics nor historians have paid them much attention. In short, modern art is and has been whatever the 'avant-garde' has made, or has said it is.

But very little attempt has been made to explore why 'the avant-garde' carries so much authority, or how it came to do so. What is more, the term remains a difficult one to define, and is often used in a variety of ways. What is the relation between 'the avant-garde' — that is, the social entity (the 'club') — and 'avant-garde' qualities in a work of art (or design, or architecture, or any other cultural product)? What does 'avant-gardismmean? Moreover, now that contemporary art seems to have broken all taboos and is at the centre of a billion-pound art market, is there still an 'avant-garde'? If so, what is the point of it and who are the artists concerned? 

In this Very Short Introduction, David Cottington explores the concept of the 'avant-garde' and examines its wider context through the development of western modernity, capitalist culture, and the global impact of both. 

目次: 

Introduction
1: Origins: emergence and consolidation 1820-1914
2: Professionalisms and Politics Between the Wars
3: Consumerism and co-option
4: The Avant Garde and Revolution
Conclusion
Further reading

著者について: 

David Cottington is Professor of Art History at Kingston University London. He has published widely on the Cubist movement and the artistic avant-gardes of the early twentieth century, including Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914 (Yale UP, 1998), and Cubism and its Histories (Manchester University Press, 2004). His Modern Art: A Very Short Introduction was published in 2005.

"Cottington's book is both a brisk history of the idea of the avant-garde and a precise set of arguments about what constitutes avant-garde ... To navigate the waters ahead we will require cultural historians like Cottington more than Amazon reviews, Facebook likes and fleeting tweets." - The Scotsman

商品情報

ISBN : 9780199582730

著者: 
David Cottington
ページ
152 ページ
フォーマット
Paperback
サイズ
111 x 174 mm
刊行日
2013年01月
シリーズ
Very Short Introductions
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The Avant Garde: A Very Short Introduction [#342]

The Avant Garde: A Very Short Introduction [#342]

The Avant Garde: A Very Short Introduction [#342]