映画音楽とは何か、どのように作曲されているのかといった実践面、そして映画音楽の機能を説明するために生まれた理論の両面から、映画音楽を解説するコンパクトな概説書です。世界中の映画音楽を形作ってきた作曲家や演奏家の魅力を紹介するにとどまらず、今日の映画音楽研究における重要な問題を幅広く取り上げています。改訂第2版は、アフリカ、アジア、南アジア、ラテンアメリカの映画音楽や、これまであまり取り上げられてこなかった映画音楽家、特に女性やマイノリティの作曲家をも広く網羅したものになっています。
  

• Takes a global perspective on film music, opening out the history, theory, and criticism of film music beyond Hollywood
• Shines the spotlight on under-represented groups in film composing, such as women and minorities, across film history
• Offers expert insights into oft-neglected silent films and their scores
• Gives a behind-the-scenes look at the process of film composition and how composers interact with other professionals

   
The rich and deeply moving sounds of film music are as old as cinema. The first projected moving images were accompanied by music through a variety of performers—from single piano players to small orchestras—that brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for growing musical stars of all varieties.
  
In this Very Short Introduction, Kathryn Kalinak takes readers behind the scenes to understand both the practical aspects of film music—what it is and how it is composed—and the theories that have been developed to explain why film music works. This accessible book not only entertains with the fascinating stories of the composers and performers who have shaped film music across the globe but also gives readers a broad sense of the key questions in film music studies today. The updated second edition includes the music from film industries in Africa, Asia and South Asia, and Latin America, and focuses on previously under-represented film musicians, in particular women and minority composers.