西洋音楽をベースにそれ以外の国の民族音楽や伝統音楽の要素を取り入れたワールドミュージック。このような音楽と現代の生活のかかわりの深さを論じ、音楽の多様性を理解するために必要とされるさまざまな国の音楽の歴史と背景を探ります。初版の刊行以後、15年間のテクノロジーの進化は音楽の消費、流通の構造やビジネス、制作にまで大きな変化をもたらしました。改訂新版はそうした事情も踏まえ、ワールドミュージックの意義を見つめ直します。
   

• Presents world music in its full historical and modern diversity, ranging from folk and traditional music to 'worldbeat'
• This new edition responds to the dramatically changed political world in which humans produce and listen to world music
• Connects music from the distant past and faraway cultures to the world music of today
• Addresses the different ways in which world music is created, disseminated, and consumed, and how these have changed in the twenty-first century
• Revises the way we think of the musician, as an increasingly mobile individual

     
The term 'world music' encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures, and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before. The politics of which world music are a part - globalization, cosmopolitanism, and nationalism - play an increasingly direct role in societies throughout the world, but are at the same time also becoming increasingly controversial. 
      
In this new edition of his Very Short Introduction, Philip Bohlman considers questions of meaning and technology in world music, and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing.