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Country Music: A Very Short Introduction [#624]
Country Music: A Very Short Introduction [#624]
¥1,969
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愛国心と権力に対する健全な懐疑心が凝縮されたカントリーミュージックは、労働者階級にルーツを持ちながら商業的にも成功し、幅広い層の支持を獲得しています。ミンストレルショーの全盛期から今日までの道筋を、アメリカ人の心のサントラとも呼ぶことができそうなこのジャンルが繰り返し扱ってきたテーマを軸に、J・ロジャーズの『テキサスのT』、T・ワイネットの『スタンド・バイ・ユア・マン』といった代表的な作品、偉大な歌手、そしてスタイルにも言及しながら概観します。
  

  • Tells the story of country music from its folk origins to today's pop-country
  • Uses prominent songs and artists to illustrate the broader social and political context of the genre
  • Explores the different styles of country music, including bro-country, retro-country, and countrypolitan sound

        
Country Music: A Very Short Introduction presents a compelling overview of the music and its impact on American culture. Country music has long been a marker of American identity; from our popular culture to our politics, it has provided a soundtrack to our national life. While traditionally associated with the working class, country's appeal is far broader than any other popular music style. While this music rose from the people, it is also a product of the popular music industry, and the way the music has been marketed to its audience is a key part of its story. Key artists, songs, and musical styles are highlighted that are either touchstones for a particular social event (such as Tammy Wynette's "Stand By Your Man," which produced both a positive and negative backlash as a marker of women's roles in society at the beginning of the liberation movement) or that encompass broader trends in the industry (for example, Jimmie Rodgers' "T for Texas" was an early example of the appropriation of black musical forms by white artists to market them to a mainstream audience). While pursuing a basically chronological outline, the book is structured around certain recurring themes (such as rural vs. urban; tradition vs. innovation; male vs. female; white vs. black) that have been documented through the work of country artists from the minstrel era to today. Truly the voice of the people, country music expresses both deep patriotism as well as a healthy skepticism towards the powers that dominate American society. Country Music: A Very Short Introduction illuminates this rich tradition and assesses its legacy in American popular music culture.

目次: 

List of illustrations
Introduction
1 Behind the "big bang": The roots of country music
2 "Wildwood flowers": Country music goes mainstream: 1923-1930
3 "Back in the saddle again": The birth of the singing cowboy, 1930s-1945
4 "Honky-tonkin'": Postwar country music: 1945-1959
5 "Make the world go away": Nashville and countrypolitan sounds, 1957-1980
6 "Mama tried": Country alternatives, from Bakersfield to Austin, 1965-1980
7 "Friends in low places": Retro-country and country-pop since 1980
Coda: Country music in a new millennium
Further Reading
Index

著者について: 

Richard Carlin, Executive Editor, Music and Art, Oxford University Press

Richard Carlin is the Grammy Award-winning author of numerous books on popular music, including The Big Book of Country (1995) and Worlds of Sound: The Story of Smithsonian Folkways (2008). He is also an executive editor of art, art history, and music at Oxford University Press.

"A nice pocket sized book, you don't have to be an academic to read it. It takes you right up to the start of country music and brings you just about bang up to date. Very readable." -- Paul Braithwaite, BBC Radio Cumbria & BBC Tees

商品情報

ISBN : 9780190902841

著者: 
Richard Carlin
ページ
160 ページ
フォーマット
Paperback
サイズ
111 x 174 mm
刊行日
2019年11月
シリーズ
Very Short Introductions
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Country Music: A Very Short Introduction [#624]

Country Music: A Very Short Introduction [#624]

Country Music: A Very Short Introduction [#624]