Renaissance Art: A Very Short Introduction [#129]
Renaissance Art: A Very Short Introduction [#129]


  • Provides a broad cultural-historical context for some of the Renaissance's most famous artists and works of art
  • Considers Renaissance art produced in both Northern and Southern Europe, rather than focusing on just one region
  • Explores "forgotten" aspects of Renaissance art, such as objects made for the home, and women who served as artists and patrons
  • Introduces readers to a variety of approaches to the study of Renaissance art, from social history to formal analysis

Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe.


1: Whose Renaissance? Whose art?
2: The art of the altarpiece
3: Story-telling in Renaissance Art
4: The challenge of nature and the antique
5: Portraiture and the rise of 'Renaissance Man'
6: The story of a square
7: Objects and images for the domestic sphere
8: Did women have a Renaissance?
9: Michelangelo and the birth of the Artist...and of Art History


Geraldine A. Johnson is University Lecturer in History of Art at the University of Oxford, and a fellow of Christ Church, Oxford. She received her Ph.D. from Harvard University. Her publications range from studies of Italian Renaissance art to considerations of contemporary American sculpture, and from women patrons in Early Modern Europe to the history of photography. Her work has appeared in important journals such as The Burlington Magazine, The Art Bulletin, Art History, and Renaissance Quarterly. In 1997, Cambridge University Press published a prize-winning essay collection she co-edited titled Picturing Women in Renaissance and Baroque Italy. The same press also published another volume she edited in 1998 titled Sculpture and Photography: Envisioning the Third Dimension. At present, she is completing a book on the tactile and visual reception of sculpture in Early Modern Italy.

"Johnson has succeeded in packing a great deal of intelligent discussion into a very limited space. I would wholeheartedly recommend this book for anyone, from teenagers onwards, requiring an introduction to current views on Renaissance Art"


ISBN : 9780192803542

Geraldine A. Johnson
176 ページ
111 x 174 mm
Very Short Introductions





Renaissance Art: A Very Short Introduction [#129]

Renaissance Art: A Very Short Introduction [#129]

Renaissance Art: A Very Short Introduction [#129]