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The Oxford Encyclopedia of Literary Theory
The Oxford Encyclopedia of Literary Theory
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  • With 180 articles by a diverse and international group of literary scholars, this is the most advanced and comprehensive collection on literary theory currently available
  • Analyzes every aspect of literary theory, both traditional and contemporary, introducing many non-standard categories for an encyclopedia of this kind and discussing timely issues, such as disability studies, gender, queer studies, diaspora, race, Indigenous and transnational identities
  • Ranges from ancient criticism - Greek and Latin, Chinese, Sanskrit, Arabic, and Biblical - to contemporary approaches, including digital humanities, ecocriticism, and affect theory
  • Published online as part of the Oxford Research Encyclopedia of Literature, a continously updated digital resource

    
What is a literary text? What does it mean to read a text? Who are "we" who read? How does the meaning of a text change in relation to the context in which it is read? What authority does an author have over the reception of a text? How does our gender, class, or ethnicity shape our understanding of texts? The Oxford Encyclopedia of Literary Theory delves into these and the many other questions that arise when we read and write, exploring with an innovative approach and an unprecedented variety of perspectives what literary theory means. Led by Editor in Chief John Frow and Associate Editors Mark Byron, Pelagia Goulimari, Sean Pryor, and Julie Rak, the Encyclopedia illustrates the problems, the concepts, and the methodologies that arise when we discuss literary criticism.
    
Around 180 full-length essays written by international experts discuss the theoretical categories and formal structures; the institutions that support the production, dissemination, interpretation, and valuation of literary texts; the identities of the real and textual persons who interact in the study of texts; and the systematic methodologies of literary interpretation and understanding. Ranging from ancient criticism—Greek and Latin, Chinese, Sanskrit, Arabic, and Biblical—to contemporary issues, including digital humanities, ecocriticism, queer studies, and Indigenous traditions, the Encyclopedia offers the most comprehensive analysis currently available of literary theory in all its many dimensions. 

目次: 

1. FORMAL CONCEPTS
Formal Concepts: Introduction
Sean Pryor
- Afterlife
Alice Bennett
- Aisthesis
David Vichnar; Louis Armand
- Allegory
Jonathan Morton
- Apostrophe
Denis Flannery
- Appropriation
Julie Sanders
- Beauty
Jennifer McMahon
- Beginnings and Endings
Eyal Segal
- The Chapter
Nicholas Dames
- Character
Julian Murphet
- Cliché
Tom Grimwood
- Comedy
Yi-hsin Hsu
- Creolization
Ben Etherington
- Deixis
Mary Galbraith
- Description
Joanna Stalnaker
- Ekphrasis
Gabriele Rippl
- Enchantment
Michael Saler
- Enunciation
Russell Smith
- Epic
Herbert Tucker
- E-text
Niels Ole Finnemann
- Fictionality
Simona Zetterberg-Nielsen; Henrik Zetterberg-Nielsen
- Form and Formalism
Stephen Cohen
- Free Indirect Discourse
Daniel Gunn
- Gloss
Rachel Stenner
- Grotesque
Rune Graulund
- Heteroglossia
Ken Hirschkop
- Historicities
Andrew Kalaidjian
- Intention
Mark Vareschi
- Intertextuality
Graham Allen
- Irony
Claire Colebrook
- Laughter
Anca Parvulescu
- Literary Translation
Anthony Pym
- Lyric Poetry and Poetics
Daniel Tiffany
- Medium
David Trotter
- Melodrama
Monique Rooney
- Narrative Time
Stephanie Nelson; Barry Spence
- Parody and Pastiche
Leonard Diepeveen
- Pastoral
Katherine Little
- Performativity
Julie Rak
- Poetic Cognition
Marshall Brown
- Poiesis
Thomas L. Martin
- Pornography
April Alliston
- Possible Worlds
Ruth Ronen
- Prose
Garrett Stewart
- Prosody
Meredith Martin
- Realisms
Alison Shonkwiler
- Reference
Satya Mohanty
- Remediation
Adam Hammond
- Repetition
Catherine Pickstock
- Rhetoric
Tom Ford; Joseph Hughes
- Rhizome
Claire Colebrook
- Rhythm
Laura Marcus
- Romance
Cyrus Mulready
- Satire
Emmett Stinson
- Sentiment
James Chandler
- Singularity
Derek Attridge
- Song
Stephanie Burt; Jenn Lewin
- Spectacle
McKenzie Wark
- Style
Daniel Hartley
- Sublime
Ian Balfour
- Surface
Shiamin Kwa
- Sympathy and Empathy
Rae Greiner
- Tekhne
Ian James
- Textuality
Rossana De Angelis
- Thing
Woosung Kang
- Tragedy
Alberto Toscano
- Voice
David Nowell Smith
- World
Jen Hui Bon Hoa
  
2. IDENTITIES
Identities: Introduction
Julie Rak
- Animal
Christopher Peterson
- Anonymity
Robert Griffin
- Celebrity
Lorraine York
- Class
Benjamin Balthaser
- Daemonic
Angus Nicholls
- Diaspora
Smaro Kamboureli
- Disability Studies
Robert McRuer
- Ethology
Dominique Lestel
- Genders
Pelagia Goulimari
- Hybridity
David Huddart
- Identification
James Purdon
- Identity Technologies
Anna Poletti
- Impersonation
Laura Browder
- Lesbian Poetics
Judith Roof
- Life Writing
Craig Howes
- Mourning and Melancholia
Tanya Dalziell
- Posthuman
Daniele Rugo
- Queer
Octavio Gonzalez; Todd G. Nordgren
- Race and Ethnicity
Amritjit Singh; Aaron Babcock
- Sexualities
Stephanie Clare
- Theorizing the Subject
Sidonie Smith
- Trans
Quinn Eades
- Transnational
Paul Jay
- Virtual Identities
Zara Dinnen
  
3. METHODOLOGIES
Methodologies: Introduction
Mark Byron
- Actor-Network Theory
Hugh Crawford
- Affect Studies
Patrick Hogan
- Arabic Literary Theory
Lara Harb
- Biblical Criticism
Richard Briggs
- Chinese Literary Theory
Cao Shunqing
- Classical Criticism
Andrew Ford
- Close Reading
Mark Byron
- Cognitive Poetics
Ellen Spolsky
- Deconstruction
Jemma Deer
- Digital Humanities
Simon Burrows; Michael Falk
- Digital Textuality
John Lavagnino
- Discourse Analysis
Andrea Macrae
- Ecocriticism
Cheryl Lousley
- Ethics of Reading
Matthew Garrett
- Feminist Theory
Pelagia Goulimari
- Futures for Literary Studies
Paul Jay
- Genealogy
Verena Erlenbusch-Anderson; Amy Nigh
- Geo-locations
Peta Mitchell
- Hermeneutics
Georgia Warnke
- Historical Poetics
Sean Pryor
- Hypertext Theory
Astrid Ensslin
- Indigenous Studies in the US and Canada
Aubrey Hanson; Sam McKegney
- Indigenous Studies: Aotearoa/New Zealand
Tina Makereti
- Indigenous Studies: Australia
Peter Minter
- Indigenous Studies: Brazil
Tracy Devine Guzmán
- Information and Meaning
Wendy Wheeler
- Interdisciplinarity
Julie Thompson Klein
- Literary Stylistics
Michael Toolan
- Literature and Science
Michael Whitworth
- Mathesis
Baylee Brits
- The Matter of Drafts
Jani Scandura
- Midrash
Carol Bakhos
- Modern Manuscripts
Dirk van Hulle
- Narrative Theory
Didier Coste
- Narratology
Gerald Prince
- Narratology of the Moment
Peter Rabinowitz
- New Materialisms
Liedeke Plate
- Object-Oriented Ontology (OOO)
Graham Harman
- Phenomenology
Horst Ruthrof
- Philology
Harry Lönnroth
- Poetics
Jonathan Culler
- The Postcolonial
Mary Layoun
- Postcolonial Theory
Vijay Mishra
- Poststructuralism and Its Discontents
Paul Ardoin
- Psychoanalytic Theory
Marshall Alcorn
- Queer Theory
Lilith Acadia
- Reception Theory
Ika Willis
- Sanskrit Literary Theory
Chettiarthodi Rajendran
- Semiotics
Bob Hodge
- Speculation
Graham Harman
- Speech Acts and Performative Utterances
Daniel Allington
- Textual Studies
Mark Byron
- Theory of the Novel
Jesse Rosenthal
- Trauma and Memory Studies
Karyn Ball
4. INSTITUTIONS
Institutions: Introduction
Pelagia Goulimari
- Anthology
Benjamin Grant
- Archive and Library
Marlene Manoff
- Authorship
John Frow
- Canon and Classic
Trevor Ross
- Censorship
Nicole Moore
- Codex
Michelle Brown
- Copyright
Kim Treiger-Bar-Am
- Critique
Charlie Blake
- Discipline
Peter Hitchcock
- Dispositif
Ricky Crano
- Everyday
William Galperin
- Infrastructure
Russell Coldicutt
- Literacy
Lee Morrissey
- Literary Marketplace
Evan Brier
- Literary Prize Culture
Stevie Marsden
- Love of Literature
Deidre Lynch
- Minor Literature
Salah El Moncef
- Networks
Patrick Jagoda
- Orality
John D. Niles
- Pedagogy
Brenton Doecke; Philip Mead
- Reading
Stephen Watt
- Reading in the Digital Era
Lutz Koepnick
- Reception in the Digital Era
DeNel Rehberg Sedo
- Scandal
Tarek El-Ariss
- Space
Eric Prieto
- Technology
Eleonora Lima
- Temporality
Theodore Martin
- The Institutional Turn
Jeremy Rosen
- Value
Joshua Clover; Christopher Nealon

著者について: 

Editor in Chief: John Frow, Professor of English, University of Sydney
  
John Frow is Professor of English at the University of Sydney. He was formerly Professor of English Language and Literature at the University of Melbourne (2004-2012), the Regius Professor of Rhetoric and English Literature at Edinburgh University (2000-2004), and Darnell Professor of English at the University of Queensland (1990-1999). He works at the boundary between literary studies and cultural studies and has published ten monographs and edited collections, including On Interpretive Conflict (2019) and Character and Person (2019). He is a member of numerous editorial boards, including New Literary History, Law, Culture and the Humanities, symploke, and Textual Practice.
  
  
Contributors:

Editor in Chief
John Frow (University of Sydney)

Associate Editors
Mark Byron (University of Sydney)
Pelagia Goulimari (University of Oxford)
Sean Pryor (University of New South Wales)
Julie Rak (University of Alberta)

Contributors

Lilith Acadia
National Taiwan University
"Queer Theory"

Marshall Alcorn
George Washington University
"Psychoanalytic Theory"

Graham Allen
University College Cork
"Intertextuality"

Daniel Allington
King's College London
"Speech Acts and Performative Utterances"

April Alliston
Princeton University
"Pornography"

Paul Ardoin
University of Texas at San Antonio
"Poststructuralism and Its Discontents"

Louis Armand
Charles University
"Aisthesis" (with David Vichnar)

Derek Attridge
University of York
"Singularity"

Aaron Babcock
Ohio University
"Race and Ethnicity" (with Amritjit Singh)

Carol Bakhos
University of California Los Angeles
"Midrash"

Ian Balfour
York University
"Sublime"

Karyn Ball
University of Alberta
"Trauma and Memory Studies"

Benjamin Balthaser
Indiana University
"Class"

Alice Bennett
Liverpool Hope University
"Afterlife"

Charlie Blake
University of Brighton
"Critique"

Evan Brier
University of Minnesota Duluth
"Literary Marketplace"

Richard Briggs
Durham University
"Biblical Criticism"

Baylee Brits
Independent Scholar
"Mathesis"

Laura Browder
University of Richmond
"Impersonation"

Michelle P. Brown
University of London
"Codex"

Marshall Brown
University of Washington
"Poetic Cognition"

Simon Burrows
Western Sydney University
"Digital Humanities" (with Michael Falk)

Stephanie Burt
Harvard University
"Song" (with Jenn Lewin)

Mark Byron
University of Sydney
"Textual Studies"
"Close Reading"

Shunqing Cao
Sichuan University
"Chinese Literary Theory"

James Chandler
University of Chicago
"Sentiment"

Stephanie Clare
University of Washington
"Sexualities"

Joshua Clover
University of California, Davis
"Value"

Stephen Cohen
Central Connecticut State University
"Form and Formalism"

Russell Coldicutt
Duke University
"Infrastructure"

Claire Colebrook
Pennsylvania State University
"Rhizome"
"Irony"

Didier Coste
Bordeaux Montaigne University
"Narrative Theory"

Ricky Crano
Tufts University
"Dispositif"

T. Hugh Crawford
Georgia Institute of Technology
"Actor-Network Theory"

Jonathan Culler
Cornell University
"Poetics"

Tanya Dalziell
University of Western Australia
"Mourning and Melancholia"

Nicholas Dames
Columbia University
"The Chapter"

Rossana De Angelis
University Paris-Est Créteil
"Textuality"

Jemma Deer
Harvard University
"Deconstruction"

Tracy Devine Guzmán
University of Miami
"Indigenous Studies: Brazil"

Leonard Diepeveen
Dalhousie University
"Parody and Pastiche"

Zara Dinnen
Queen Mary University of London
"Virtual Identities"

Brenton Doecke
Deakin University
"Pedagogy" (with Philip Mead)

Quinn Eades
La Trobe University
"Trans"

Salah El Moncef
University of Nantes
"Minor Literature"

Tarek El-Ariss
Dartmouth College
"Scandal"

Astrid Ensslin
University of Alberta
"Hypertext Theory"

Verena Erlenbusch-Anderson
Syracuse University
"Genealogy" (with Amy Nigh)

Ben Etherington
Western Sydney University
"Creolization"

Michael Falk
University of Kent
"Digital Humanities" (with Simon Burrows)

Niels Ole Finnemann
University of Copenhagen
"E-text"

Denis Flannery
University of Leeds
"Apostrophe"

Thomas H. Ford
La Trobe University
"Rhetoric" (with Joe Hughes)

Andrew Ford
Princeton University
"Classical Criticism"

John Frow
University of Sydney
"Authorship"

Mary Galbraith
San Diego State University
"Deixis"

William Galperin
Rutgers University
"Everyday"

Matthew Garrett
Wesleyan University
"Ethics of Reading"

Octavio González
Wellesley College
"Queer" (with Todd G. Nordgren)

Pelagia Goulimari
University of Oxford
"Genders"
"Feminist Theory"

Ben Grant
University of Oxford
"Anthology"

Rune Graulund
University of Southern Denmark
"Grotesque"

Rae Greiner
Indiana University Bloomington
"Sympathy and Empathy"

Robert J. Griffin
Texas A&M University
"Anonymity"

Tom Grimwood
University of Cumbria
"Cliché"

Daniel P. Gunn
University of Maine at Farmington
"Free Indirect Discourse"

Adam Hammond
University of Toronto
"Remediation"

Aubrey Jean Hanson
University of Calgary
"Indigenous Studies in the US and Canada" (with Sam McKegney)

Lara Harb
Princeton University
"Arabic Literary Theory"

Graham Harman
Southern California Institute of Architecture
"Object-Oriented Ontology (OOO)"
"Speculation"

Daniel Hartley
Durham University
"Style"

Ken Hirschkop
University of Waterloo
"Heteroglossia"

Peter Hitchcock
Baruch College
"Discipline"

Bob Hodge
Western Sydney University
"Semiotics"

Patrick Colm Hogan
University of Connecticut
"Affect Studies"

Craig Howes
University of Hawai?i at M?noa
"Life Writing"

Yi-hsin Hsu
National Taiwan University
"Comedy"

David Huddart
Chinese University of Hong Kong
"Hybridity"

Joe Hughes
University of Melbourne
"Rhetoric" (with Thomas H. Ford)

Jen Hui Bon Hoa
Yonsei University
"World"

Patrick Jagoda
University of Chicago
"Networks"

Ian James
University of Cambridge
"Tekhne"

Paul Jay
Loyola University Chicago
"Transnational"
"Futures for Literary Studies"

Andrew Kalaidjian
California State University Dominguez Hills
"Historicities"

Smaro Kamboureli
University of Toronto
"Diaspora"

Woosung Kang
Seoul National University
"Thing"

Julie Thompson Klein
Wayne State University
"Interdisciplinarity"

Lutz Koepnick
Vanderbilt University
"Reading in the Digital Era"

Shiamin Kwa
Bryn Mawr College
"Surface"

John Lavagnino
King's College London
"Digital Textuality"

Mary N. Layoun
University of Wisconsin-Madison
"The Postcolonial"

Dominique Lestel
École Normale Supérieure
"Ethology"

Jenn Lewin
University of Haifa
"Song" (with Stephanie Burt)

Eleonora Lima
Trinity College Dublin
"Technology"

Katherine Little
University of Colorado Boulder
"Pastoral"

Harry Lönnroth
University of Jyväskylä
"Philology"

Cheryl Lousley
Lakehead University
"Ecocriticism"

Deidre Lynch
Harvard University
"Love of Literature"

Andrea Macrae
Oxford Brookes University
"Discourse Analysis"

Tina Makereti
Victoria University of Wellington
"Indigenous Studies: Aotearoa/New Zealand"

Marlene Manoff
Independent Scholar
"Archive and Library"

Laura Marcus
New College Oxford
"Rhythm"

Stevie Marsden
University of Derby
"Literary Prize Culture"

Theodore Martin
University of California, Irvine
"Temporality"

Meredith Martin
Princeton University
"Prosody"

Thomas Martin
Wheaton College
"Poiesis"

Sam McKegney
Queen's University
"Indigenous Studies in the US and Canada" (Aubrey Jean Hanson)

Jennifer A. McMahon
University of Adelaide
"Beauty"

Robert McRuer
George Washington University
"Disability Studies"

Philip Mead
University of Western Australia
"Pedagogy" (with Brenton Doecke)

Peter Minter
University of Sydney
"Indigenous Studies: Australia"

Vijay Mishra
Murdoch University
"Postcolonial Theory"

Peta Mitchell
Queensland University of Technology
"Geo-locations"

Satya P. Mohanty
Cornell University
"Reference"

Nicole Moore
University of New South Wales
"Censorship"

Lee Morrissey
Clemson University
"Literacy"

Jonathan Morton
Tulane University
"Allegory"

Cyrus Mulready
State University of New York at New Paltz
"Romance"

Julian Murphet
University of Adelaide
"Character"

Christopher Nealon
Johns Hopkins University
"Value"

Stephanie Nelson
Boston University
"Narrative Time" (with Barry Spence)

Angus Nicholls
Queen Mary University of London
"Daemonic"

Amy Nigh
University of Memphis
"Genealogy" (with Verena Erlenbusch-Anderson)

John D. Niles
University of Wisconsin-Madison
"Orality"

Todd G. Nordgren
Dickinson College
"Queer" (with Octavio González)

David Nowell Smith
University of East Anglia
"Voice"

Anca Parvulescu
Washington University in St. Louis
"Laughter"

Christopher Peterson
Western Sydney University
"Animal"

Catherine Pickstock
University of Cambridge
"Repetition"

Liedeke Plate
Radboud University Nijmegen
"New Materialisms"

Anna Poletti
Utrecht University
"Identity Technologies"

Eric Prieto
University of California, Santa Barbara
"Space"

Gerald Prince
University of Pennsylvania
"Narratology"

Sean Pryor
University of New South Wales
"Historical Poetics"

James Purdon
University of St Andrews
"Identification"

Anthony Pym
University of Melbourne
"Literary Translation"

Peter J. Rabinowitz
Hamilton College (Emeritus)
"Narratology of the Moment"

Chettiarthodi Rajendran
University of Calicut (Retired)
"Sanskrit Literary Theory"

Julie Rak
University of Alberta
"Performativity"

Gabriele Rippl
University of Bern
"Ekphrasis"

Ruth Ronen
Tel Aviv University
"Possible Worlds"

Judith Roof
Rice University
"Lesbian Poetics"

Monique Rooney
Australian National University
"Melodrama"

Jeremy Rosen
University of Utah
"The Institutional Turn"

Jesse Rosenthal
Johns Hopkins University
"Theory of the Novel"

Trevor Ross
Dalhousie University
"Canon and Classic"

Daniele Rugo
Brunel University London
"Posthuman"

Horst Ruthrof
Murdoch University
"Phenomenology"

Michael Saler
University of California, Davis
"Enchantment"

Julie Sanders
Newcastle University
"Appropriation"

Jani Scandura
University of Minnesota
"The Matter of Drafts"

DeNel Rehberg Sedo
Mount Saint Vincent University
"Reception in the Digital Era"

Eyal Segal
Independent Scholar
"Beginnings and Endings"

Alison Shonkwiler
Rhode Island College
"Realisms"

Amritjit Singh
Ohio University
"Race and Ethnicity" (with Aaron Babcock)

Sidonie Smith
University of Michigan
"Theorizing the Subject"

Russell Smith
Australian National University
"Enunciation"

Barry Spence
University of Massachusetts Amherst
"Narrative Time" (with Stephanie Nelson)

Ellen Spolsky
Bar-Ilan University
"Cognitive Poetics"

Joanna Stalnaker
Columbia University
"Description"

Rachel Stenner
University of Sussex
"Gloss"

Garrett Stewart
University of Iowa
"Prose"

Emmett Stinson
Deakin University
"Satire"

Daniel Tiffany
University of Southern California
"Lyric Poetry and Poetics"

Michael Toolan
University of Birmingham
"Literary Stylistics"

Alberto Toscano
Goldsmiths University of London
"Tragedy"

Kim Treiger-Bar-Am
Independent Scholar
"Copyright"

David Trotter
University of Cambridge
"Medium"

Herbert Tucker
University of Virginia
"Epic"

Dirk Van Hulle
University of Oxford
"Modern Manuscripts"

Mark Vareschi
University of Wisconsin-Madison
"Intention"

David Vichnar
Charles University
"Aisthesis" (with Louis Armand)

McKenzie Wark
The New School
"Spectacle"

Georgia Warnke
University of California, Riverside
"Hermeneutics"

Stephen Watt
Indiana University
"Reading"

Wendy Wheeler
London Metropolitan University
"Information and Meaning"

Michael Whitworth
Merton College Oxford
"Literature and Science"

Ika Willis
University of Wollongong
"Reception Theory"

Lorraine York
McMaster University
"Celebrity"

Henrik Zetterberg-Nielsen
Aarhus University
"Fictionality" (with Simona Zetterberg-Nielsen)

Simona Zetterberg-Nielsen
Aarhus University
"Fictionality" (with Henrik Zetterberg-Nielsen)

商品情報

ISBN : 9780190699604

著者: 
John Frow
ページ
3200 ページ
フォーマット
Hardcover
サイズ
178 x 254 mm
刊行日
2022年04月
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The Oxford Encyclopedia of Literary Theory

The Oxford Encyclopedia of Literary Theory

The Oxford Encyclopedia of Literary Theory