Th e troubled reign of a fourteenth-century sultan of Delhi helps dramatize the crisis of secular nationhood in post-Independence India. A twelft hcentury folktale about 'transposed heads' offers a path-breaking model for a quintessentially 'Indian' theatre in postcolonial times. The folktale about a woman with a snake lover explores gender relations within marriage. Individual human sexuality meets the historical debate on violence in Indian culture. The plays in this volume span roughly the first half of the career of Girish Karnad, one of India's pre-eminent playwrights. The three-volume set of Karnad's Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin, Madison. The introductions trace the literary and theatrical evolution of Karnad's work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad's place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media.
CONTENTS
Introduction by Aparna Bhargava Dharwadker vii
TALE-DANDA 1
THE FIRE AND THE RAIN 103
THE DREAMS OF TIPU SULTAN 177
TWO MONOLOGUES
FLOWERS 243
BROKEN IMAGES 261
Appendices
Appendix 1: Note on The Fire and the Rain by Girish Karnad 289
Appendix 2: Note on The Dreams of Tipu Sultan by Girish Karnad 303
Appendix 3: Note on Flowers by Girish Karnad 304
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