OXFORD UNIVERSITY PRESS

The Oxford Handbook of Modernisms

ISBN : 9780199545445

参考価格(税込): 
¥19,173
著者: 
Peter Brooker; Andrzej Gasiorek; Deborah Longworth; Andrew Thacker
ページ
1200 ページ
フォーマット
Hardcover
サイズ
178 x 250 mm
刊行日
2010年12月
シリーズ
Oxford Handbooks of Literature
メール送信
印刷

The Oxford Handbook of Modernisms situates literary modernisms and the modernist arts in a series of unfolding relations with mass society and popular culture in both national and transnational settings. An unparalleled resource containing over fifty specially commissioned essays, the Handbook updates and extends the scope and depth of previous synoptic guides, bringing together new approaches to the more obvious themes of modernist studies as well as new research on the variety of cultural, aesthetic, and geographical factors that were intrinsic to the creation of modernism. The contributors draw upon a variety of interdisciplinary approaches and new methodologies in order to take account of the development of revisionist modernist studies over the past three decades. Two particularly innovative features of the Handbook are its focus upon the cross media and international character of modernism. A number of the essays examine visual culture and other media in order to delineate the aesthetic, intellectual, and cultural formations linking the innovations and experiments of literary modernism with work in other arts and media. Others seek to analyse how Anglo-American and European models were inflected in a different temporal frame and in quite distinct geographical contexts. The Handbook is divided into six sections in order to reflect changed critical perspectives upon modernism's formal innovation and experiment, to foreground the relation of literature and the other arts, and to understand these in appropriate intellectual, social, and geocultural settings. The received canon is therefore revisited and 'made new' as the varying aspects of metropolitan, regional, national, and transnational modernisms come into view.

目次: 

LIST OF ILLUSTRATIONS
LIST OF CONTRIBUTORS
INTRODUCTION
FRAMEWORKS
1. Periodizing modernism
2. Modernism before and after theory
3. The modernist archive
PRACTICES AND PERSPECTIVES
4. Innovations in poetry
5. Modernist narratives: revisions and re-readings
6. The modernist novel in Europe
7. Staging modernism: a new drama
8. Modernists as critics
9. Gendering the modernist text
10. Class Positions
11. Queer modernism
12. Lesbian sexuality in the story of modernism
13. Harlem modernisms
14. Colonial encounters
15. Travelling modernists
CONTEXTS AND CONDITIONS
16. The machine age
17. Modernism in the age of mass culture and consumption
18. Publication, patronage, censorship
19. Modernism in magazines
20. Primitivism: modernism as anthropology
21. Questions of history
22. Modernism and philosophy
23. The modernist road to the unconscious
24. Religion, psychical research, spiritualism, and the occult
25. Science in the age of modernism
26. Violence, art, and war
27. Modernist politics: socialism, anarchism, fascism
IMAGE, PERFORMANCE, AND THE NEW MEDIA
28. Cinema, modernism, and modernity
29. Photography: the age of the snapshot
30. Modernism and the visual arts
31. Dancing bodies and modernity
32. Modernism on radio
33. Modernist music
34. Architecture, design, and modern living
METROPOLITAN MOVEMENTS
35. Imagining the modernist city 1870-1945
36. Paris: symbolism, impressionism, cubism, surrealism
37. Berlin: dada, expressionism, Neue Sachlichkeit
38. London: rhymers, imagists, and vorticists
39. Futurism in Europe
40. The modernist Atlantic: New York, Chicago, and Europe
41. Modernist coteries and communities
NATIONAL AND TRANSNATIONAL MODERNISMS
42. Scottish modernism
43. Irish modernism
44. Welsh modernism
45. Central Europe
46. Russian Modernism
47. Nordic modernisms
48. Modernisms in English Canada
49. Hispanic literature and the problem of modernism
50. Caribbean modernism
51. Modernism and African literature
52. Modernisms in India
53. Antipodean modernisms: Australia and New Zealand
54. Chinese modernisms: politics, poetry, and cultural dissonance
55. Modernism and colonial modernity in early twentieth-century Japan
AFTERWORD: 'NEWNESS' IN MODERNISM, EARLY AND LATE
BIBLIOGRAPHY
INDEX

著者について: 

Peter Brooker is Research Professor at the Centre for Modernist Studies, University of Sussex. He has written widely on contemporary writing, film, and cultural theory and is author of Bertolt Brecht, Poetry, Dialectics, Politics (1989), New York Fictions (1996), Modernity and Metropolis (2002) and Bohemia in London (2004, 2007) and co-editor of Geographies of Modernism (2005) and The Oxford Critical and Cultural History of Modernist Magazines, volumes 1-3. ; Andrzej Gasiorek is Reader in Twentieth-Century Literature at the University of Birmingham. He has written widely on modernism and on post-war British fiction. He is a co-editor of the journal Modernist Cultures and author of Post War British Fiction: Realism and After (1995), Wyndham Lewis and Modernism (2004) and J.G. Ballard (2005). ; Deborah Longworth is Senior Lecturer in Nineteenth and Twentieth-Century Literature at the University of Birmingham. She is the author of Streetwalking the Metropolis (2000), Djuna Barnes (2003), and Three Theorists of the Modernist Novel: James Joyce, Dorothy Richardson and Virginia Woolf (2006), and a co-editor of the journal Modernist Cultures. ; Andrew Thacker is Professor of Twentieth Century Literature at De Montfort University. He is the author of Moving Through Modernity (2003), the editor of Dubliners Casebook (2006), and co-editor of The Impact of Michel Foucault (1997), Geographies of Modernism (2005), and The Oxford Critical and Cultural History of Modernist Magazines, volumes 1-3. He is an editor of the journal Literature & History and director of the Centre for Textual Studies at De Montfort University.

このページに掲載の「参考価格」は日本国内における希望小売価格です。当ウェブサイトでのご購入に対して特別価格が適用される場合、販売価格は「割引価格」として表示されます。なお、価格は予告なく変更されることがございますので、あらかじめご了承ください。