OXFORD UNIVERSITY PRESS

The Oxford Handbook of the New Cultural History of Music

ISBN : 9780199354092

参考価格(税込): 
¥8,162
著者: 
Jane F. Fulcher
関連カテゴリー
ページ
608 ページ
フォーマット
Paperback
サイズ
174 x 247 mm
刊行日
2013年11月
シリーズ
Oxford Handbooks in Music
メール送信
印刷

As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.

目次: 

Introduction. Defining the New Cultural History of Music: Its Origins, Current Directions and Methodologies
Jane F. Fulcher
PART I: CULTURAL IDENTITY AND ITS EXPRESSION: CONSTRUCTIONS, REPRESENTATIONS, AND EXCHANGES
Constructions or Representations of the Body, Gender, Sexuality, and Race
1. A Woman's Place: Antiphons and Responsories for Virgin Martyrs in the Office
James Borders
2. Music, Violence, and the Stakes of Listening
Richard Leppert
3. Music and Pain
Andreas Dorschel
Subjectivity and the Shaping of the Self in Society
4. "The Road into the Open": from Narrative Closure to the Endless Performance of Subjectivity in Mahler and Freud at the Turn of the Century
John Toews
5. Understanding Schoenberg as Christ
Julie Brown
6. The Strange Landscape of Middles
Michael Beckermann
Nationalism, Cosmopolitanism, and Trans-Nationalism
7. The Genre of National Opera in European Comparative Perspective
Philipp Ther
8. Cosmopolitan, National, and Regional Identities in European Musical Life
William Weber
9. Mendelssohn on the Road: Music, Travel, and the Anglo-German Symbiosis
Celia Applegate
Popular and Elite Cultural Intersections or Exchanges
10. "Shooting the Keys": Musical Horseplay and High Culture
Charles Garrett
11. Yvette Guilbert and the Revaluation of the Chanson populaire and Chanson ancienne during the Third Republic, 1889-1914
Jacqueline Waeber
12. Remembrance of Jazz Past: Sidney Bechet in France
Andy Fry
PART II: CULTURAL EXPERIENCE: PRACTICES, APPROPRIATIONS, AND
EVALUATIONS
Urban, Aural, and Print Culture
13. An Evening at the Opera in 17th-Century Venice
Edward Muir
14. Josquin des Prez, Renaissance Historiography and the Cultures of Print
Kate van Orden
15. From 'the Voice of the Marechal' to Musique Concrete: Pierre Schaeffer and the Case for Cultural History
Jane F. Fulcher
Symbols, Icons, and Sites of Collective Memory or Ritual
16. A Matter of Style: State Sacrificial Music and Cultural-Political Discourse in Southern Song China (1127-1279)
Joseph S.C. Lam
17. Ernani Hats: Opera as a Repertory of Political Symbols during the Risorgimento
Carlotta Sorba
18. Modalities of National Identity: Sibelius Builds a First Symphony
James Hepokoski
Politics, Aesthetics, and Transmission
19. Beethoven, Napoleon, and Political Romanticism
Leon Plantinga
20. Translating Herder Translating: Cultural Translation and the Making of Modernity
Philip Bohlman
21. The Eye of the Needle: Music as History after the Era of Recording
Leon Botstein
Afterward: Whose Culture? Whose History? Whose Music?
Michael P. Steinberg
Index

著者について: 

Jane Fulcher is Professor of Musicology at the University of Michigan. She has received research awards from organizations in both the United States and Europe, including The American Council of Learned Societies, the National Endowment for the Humanities (two awards), the Wissenschaftskolleg zu Berlin, the National Humanities Center, the Institute for Advanced Study, Princeton, New Jersey (where she was the Edward T. Cone member in Music Studies for 2003-04), and The Centre National de la Recherche Scientifique. In addition, she has three times been invited to be visiting professor at the Ecole des Hautes Etudes en Sciences Sociales in Paris.

このページに掲載の「参考価格」は日本国内における希望小売価格です。当ウェブサイトでのご購入に対して特別価格が適用される場合、販売価格は「割引価格」として表示されます。なお、価格は予告なく変更されることがございますので、あらかじめご了承ください。