Modern Playhouses: An Architectural History of Britain's New Theatres, 1945-1985

ISBN : 9780198864080

Alistair Fair
320 ページ
156 x 234 mm

Modern Playhouses is the first detailed study of the major programme of theatre-building which took place in Britain between the 1950s and the 1980s. Drawing on a vast range of archival material - much of which had never previously been studied by historians - it sets architecture in a wide social and cultural context, presenting the history of post-war theatre buildings as a history of ideas relating not only to performance but also to culture, citizenship, and the modern city. During this period, more than sixty major new theatres were constructed in locations from Plymouth to Inverness, Aberystwyth to Ipswich. The most prominent example was the National Theatre in London, but the National was only the tip of the iceberg. Supported in many cases by public subsidies, these buildings represented a new kind of theatre, conceived as a public service. Theatre was ascribed a transformative role, serving as a form of 'productive' recreation at a time of increasing affluence and leisure. New theatres also contributed to debates about civic pride, urbanity, and community. Ultimately, theatre could be understood as a vehicle for the creation of modern citizens in a consciously modernizing Britain. Yet while recognizing, as contemporaries did, that the new theatres of the post war decades represented change, Modern Playhouses also asks how radically different these buildings really were, and what their 'mainstream' architecture reveals of the history of modern British architecture, and of post-war Britain.


Introduction: 'The Pattern is Now Quite Different'
1 'An Instrument of Policy and Something Socially Desirable': Public Funding and Theatre
2 'Housing the Arts': Funding Capital Projects
3 Towards a New Theatre Architecture, 1945-1960
4 'The Second Positive Stage': Modern Public Buildings, c.1958-1971
5 'A New Image of the Town Centre': Theatres, Civic Pride, and Urbanity
6 'The Modern Concept of a Community Theatre': The Social Centre
7 'At the End of a Boom'? Frugality and Contextualism, c.1968-1985
8 'Theatre of the Future': Rethinking the Auditorium
9 'The Most Revolutionary Thing?' Modern Proscenium-arch & End-stage Auditoria
10 Escaping From Boarded Concrete and Modern Finishes'? Impermanency, Mobility, Rehabilitation - And Emulation
Conclusions: 'Out Of Its Sick Bed'


Alistair Fair is Lecturer in Architectural History and Chancellor's Fellow at the University of Edinburgh. He is a specialist in the history of British architecture since 1945, with a particular interest in public and institutional buildings. Alistair studied at Oxford and the Courtauld Institute of Art before moving to Cambridge for his doctoral research. He subsequently worked in architectural conservation in London and then as a Research Associate and Leverhulme Trust Early Career Research Fellow in Cambridge, before joining the University of Edinburgh in 2013.