OXFORD UNIVERSITY PRESS

The Sublimity of Document: Cinema as Diorama

ISBN : 9780190052133

参考価格(税込): 
¥6,149
著者: 
Scott MacDonald
ページ
504 ページ
フォーマット
Paperback
サイズ
156 x 235 mm
刊行日
2019年09月
メール送信
印刷

The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "avant-doc, that is, making films that explore the territory between documentary and experimental cinema.
The book uses the early history of the museum habitat diorama of animal life, specifically the Hall of African Mammals at the American Museum of Natural History, as a way of rethinking both early and modern cinema document-and especially those recent filmmakers and films that are devoted to providing viewers with panoramic documentations of places and events that otherwise they might never have opportunities to experience in person.

This international collection of 27 interviews follows on MacDonald's earlier Avant-Doc: Intersections of Documentary and Avant-Garde Cinema (Oxford, 2015). The interviews, organized panoramically within the collection, are dense with information and insight, and readable by specialists and non-specialists alike. In most instances, these are the most in-depth and expansive-sometimes the first-interviews with these filmmakers.
Together, these interviews offer an engaging panorama of the recent history and geography of cinema devoted to documenting the world around us, as well as an in-depth look at the challenges and accomplishments of filmmakers willing to go anywhere on the planet (or on the internet!) to document what they believe we need to see.
MacDonald's general introduction provides an overall context for the collection, which includes interviews with Ron Fricke, Gustav Deutsch, Laura Poitras, Fred Wiseman, Nikolaus Geyrhalter, Bill Morrison, Brett Story, Abbas Kiarostami, Lois Patino, Dominic Gagnon, Erin Espelie, Yance Ford, Janet Biggs, Carlos Adriano, Craig Johnson, Ben Russell, Betzy Bromberg, James Benning, Maxim Pozdorovkin, along with several veterans of Harvard's Sensory Ethnography Lab (and with the executive directors of the distributor, Documentary Educational Resources, which has served the field of independent documentary for nearly fifty years)-each interview is introduced with MacDonald's overview of the interviewee's life and work.
The book includes filmographies and selected bibliographies for all the filmmakers

目次: 

Introduction
Ron Fricke
Gustav Deutsch
Laura Poitras
Fred Wiseman at the Brattle Theater with Hospital, July 19, 2010
Nikolaus Geyrhalter
Bill Morrison
Brett Story
Abbas Kiarostami at Bard College with Five, March 4th, 2007
Lois Patino
Dominic Gagnon
Erin Espelie
Yance Ford, on Strong Island
Janet Biggs
Carlos Adriano
Craig Johnson
Ben Russell, on Good Luck
Betzy Bromberg
James Benning
Documentary Educational Resources (DER), a brief oral history
Pozdorovkin, on Our New President
Sensory Ethnography part 2: interviews with J.P. Sniadecki, Stephanie Spray, Verena
Paravel, Libbie Cohn, Joshua Bonnetta
Filmography
Bibliography
Index

著者について: 

Scott MacDonald is author of the oral history series, A Critical Cinema: Interviews with Independent Filmmakers and of Avant-Doc: Intersections of documentary and Avant-Garde Cinema (Oxford, 2015). He has taught film history since 1970, most recently, at Bard College, Harvard University, and at Hamilton College.

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