OXFORD UNIVERSITY PRESS

Leonardo da Vinci's Codex Leicester: A New Edition (Volume I: The Codex)

ISBN : 9780198832874

参考価格(税込): 
¥4,565
著者: 
Domenico Laurenza; Martin Kemp
ページ
96 ページ
フォーマット
Hardcover
サイズ
219 x 276 mm
刊行日
2019年07月
メール送信
印刷
  • A high-quality facsimile reproduction of Da Vinci's most significant scientific texts, which will be of interest to both scholars and art enthusiasts
  • Provides the first serious reconstruction of Leonardo's legacy as a scientist

     
Leonardo's greatest work of science beautifully reproduced for the 500th anniversary of his death.
   
This edition offers a high-quality facsimile reproduction of Leonardo Da Vinci's Codex Leicester, a collection of his scientific writings. Named after Thomas Coke (later Earl of Leicester) who purchased it in 1719, Codex Leicester holds the record as the most expensive book ever when it was bought by Bill Gates in 1994. Consisting of 72 pages, it was handwritten in Italian by Leonardo using his characteristic mirror writing, and is supported by drawings and diagrams. The Codex Leicester is an extraordinary mixture of Leonardo's observations and theories. Topics include his explanation of why fossils can be found on mountains; the flow of water in rivers; and the luminosity of the moon which Leonardo attributed to its surface being covered by water which reflects light from the sun. 
     
The facsimile reproduction is complemented by three further volumes that include a new transcription and translation, accompanied by a paraphrase in modern language, a page-by-page commentary, and a series of interpretative essays. These four volumes together introduce important new research into the interpretation of the texts and images, on the setting of Leonardo's ideas in the context of ancient and medieval theories, and above all into the notable fortunes of the Codex within the sciences of astronomy, water, and the history of the earth, opening a new field of research into the impact of Leonardo as a scientist after his death.

著者について: 

Edited by Domenico Laurenza, Independent Scholar, and Martin Kemp, Emeritus Professor in the History of Art, University of Oxford
    

Domenico Laurenza is a historian of science with an interest in the history of art and visual culture. He is an expert on Leonardo da Vinci's scientific works, on the history of anatomy and technology in the Renaissance, and on the history of geology. He is a scientific consultant for the University of RomaTre, Museo Galileo (Florence), and Schroeder Arts Consulting (New York), and has taught or been a fellow of several scientific institutions, including McGill University (Montreal), the Warburg Institute (London), the Italian Academy at Columbia University, the Metropolitan Museum of Art (New York), and Trinity College, Dublin.
   
Martin Kemp is Emeritus Research Professor in the History of Art at Oxford University. He has written and broadcast extensively on imagery in art and science from the Renaissance to the present. He speaks on issues of visualisation and lateral thinking. His most recent book is Mona Lisa: The People and the Painting, with Giuseppe Pallanti (2017).

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