OXFORD UNIVERSITY PRESS

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Shakespeare's Women and the Fin de Siecle

ISBN : 9780198790846

参考価格(税込): 
¥13,145
著者: 
Sophie Duncan
ページ
304 ページ
フォーマット
Hardcover
サイズ
153 x 234 mm
刊行日
2016年12月
シリーズ
Oxford English Monographs
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Shakespeare's Women and the Fin de Siecle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siecle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siecle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siecle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siecle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siecle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siecle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siecle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siecle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.

目次: 

Introduction
1 The Lily, the Matron, and Rosalind
2 Bad women, good wives: Ellen Terry as Lady Macbeth
3 The 'femme serpent': Mrs Patrick Campbell at the Lyceum
4 A British princess: Ellen Terry as Imogen
5 'The eternal suffragette': New Women and a new century
Epilogue
Bibliography
Index

著者について: 

Sophie Duncan is a Postdoctoral Research Associate at Magdalen College, University of Oxford. Her principal research interests are in Early Modern and nineteenth-century drama, theatre history, cognitive approaches to literature, and cultural memory. She has published on fin-de-siecle Gothic culture, Shakespeare, and celebrity. Beyond academia, she works regularly as a historical advisor and dramaturg for theatre, radio, and television.

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