OXFORD UNIVERSITY PRESS

Local Glories: Opera Houses on Main Street, Where Art and Community Meet

ISBN : 9780199392544

参考価格(税込): 
¥5,687
著者: 
Ann Satterthwaite
ページ
456 ページ
フォーマット
Hardcover
サイズ
156 x 235 mm
刊行日
2016年03月
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印刷

Opera houses were everywhere. Many towns had at least one opera house on Main Street by 1900. Hundreds of theater troupes, opera companies, individual performers, and many sundry entertainers then tred the boards of these halls as new rail lines could bring these troupers to previously isolated hamlets in new and old sections of the country. Five hundred troupes called " performed only Uncle Tom's Cabin. Sarah Bernhardt, Mark Twain, and John Philip Sousa entertained thousands of townspeople as did innumerable minor league magicians, circuses, lecturers, and theater companies. At that time, more people saw live entertainment than at any other period making this the Golden Age for this distinctly American rural institution and the beginning of an era of mass entertainment These halls, called " to lend a touch of urban sophistication, were often the only large place for public assembly in a town. Aside from cultural events, they served as a public hall for local activities like school graduations, recitations, sports and town meetings, elections, and political rallies and even social dances and roller skating parties. Some were housed in town or city halls, but most were built by local entrepreneurs or committees interested in promoting the town as well as attracting performers. Considered local landmarks, often in distinctive architect-designed buildings, they aroused considerable pride and reinforced town identity. These once-proud halls, however, succumbed in the early twentieth century as radio, movies, and later television and changing tastes made them seem obsolete. Some were demolished, but those that were abandoned to pigeons languished for decades until discovered in the last three decades by stalwart revivers in small towns across the county. The phoenix has indeed arisen. The resuscitation of these opera houses today reflects the timeless quest for cultural inspiration and for communal engagement to counter the anonymity of the virtual world. These revived halls are where " meet.

目次: 

INTRODUCTION

PART ONE A HEADY TIME: THOUSANDS OF OPERA HOUSES
1. Signs of Civilization
2. A Time of Change
3. Culture and the Public

PART TWO ON STAGE: PERFORMANCES, PERFORMERS, AND THEIR PATRONS
4. Early Struggles
5. Theater Thrives
6. Celebrities and Stars
7. Other Entertainments and Enlightenments
8. Music and Opera
9. What the Public Wants

PART THREE IN TOWN: A PUBLIC HALL AND ITS PUBLIC ROLES
10. Business Connections
11. Public Place and Civic Events
12. Challenges
13. Immigrants
14. Symbols of Pride

PART FOUR BORN AGAIN: REVIVED OPERA HOUSES AND THEIR COMMUNITIES
15. The Phoenix Arises
16. Successes 308
17. Engines for Regeneration
18. Like Family 366
19. Connecting Again

AUTHOR'S COMMENTS
APPENDIX: A Listing of Extant Opera Houses by State
BIBLIOGRAPHY

著者について: 

City planner in Washington, DC. Involved in environmental, cultural, and preservation planning to improve community livability, civic engagement, and sustainability for national, state and local public and private agencies. She has lectured, written articles and book, Going Shopping: Consumer Choices and Community Consequences, and was awarded two NEA individual grants.

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