OXFORD UNIVERSITY PRESS

Radical Traditions: Reimagining Culture in Balinese Contemporary Music

ISBN : 9780199941421

参考価格(税込): 
¥4,609
著者: 
Andrew Clay McGraw
関連カテゴリー
ページ
304 ページ
フォーマット
Paperback
サイズ
155 x 234 mm
刊行日
2013年11月
メール送信
印刷

For the modern West, Bali has long served as an icon of exotic pre-modern innocence. Yet the reality of modern Bali stands in stark contrast to this prevailing and enduring image, a contrast embodied by a movement of local musical experimentation, musik kontemporer, which emerged in the 1970s and which still thrives today. In Radical Traditions, author Andrew Clay McGraw shows how music kontemporer embodies the tensions between culture as represented and lived, between the idea of Balinese culture and the experience of living it. Through a highly interdisciplinary approach informed by ethnomusicology, cultural studies, postcolonial studies, anthropology, and theater studies, McGraw presents an all-encompassing social and musical history of musik kontemporer, and its intersections with class, ethnicity, and globalization. As the first English language monograph on this important Indonesian musical genre, Radical Traditions is an essential resource for anyone fascinated by modern Indonesian and Balinese music and culture.

目次: 

Acknowledgements
About the Companion Website
Musical Examples
Technical Notes
Brief Glossary
Map of Bali
Preface: Encounter
Prelude: Gerausch, Setting the Scene
1) Introduction: Radical Traditions
2) Placing Bali in the Global Aesthetic Network
3) Kosong: Developing Culture in the Empty New Order (1966-1998)
4) Moha: Aesthetic and Social Dissensus in the Reformation (1998-)
5) Teori and the Komposer
6) The Technologies and Materials of Musik Kontemporer
7) Ombak: Time, Energy, and Homology in the Analysis of Balinese Music
8) The Semiotics of Musik Kontemporer
9) Musik Kontemporer and Intercultural Performance
Conclusion: Reimagining Culture in Bali
Bibliography
Index

著者について: 

Andrew Clay McGraw is Assistant professor of music at the University of Richmond. His writings combine ethnographic, music-theoretical, semiotic and critical analyses to consider the fields of traditional and contemporary music in Southeast Asia. As a composer and performer he has collaborated with Bali's leading composers and ensembles. He has founded and directed several gamelan ensembles in the U.S.

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