OXFORD UNIVERSITY PRESS

Epic Negation: The Dialectical Poetics of Late Modernism

ISBN : 9780199844715

参考価格(税込): 
¥14,762
著者: 
C. D. Blanton
ページ
384 ページ
フォーマット
Hardcover
サイズ
162 x 240 mm
刊行日
2015年05月
シリーズ
Modernist Literature & Culture
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Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such.

目次: 

Part I
The Dialectical Poetics of Late Modernism
Dialectical Poetics
An Organ of Documentation: Eliot and Order
Date Line: Including History
Eliotic Marxism: Notes Toward a Dialectic of Culture
Part II
A poem is not poetry
Auden's Monadology
MacNeice's Dying Fall
H.D.'s Incidents
Notes
Index

著者について: 

Blanton is Assistant Professor of English at the University of California at Berkeley. He is coeditor of A Concise Companion to Postwar British and Irish Poetry (Blackwell, 2009).

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