OXFORD UNIVERSITY PRESS

Charles Batteux: The Fine Arts Reduced to a Single Principle

ISBN : 9780198747116

Price(incl.tax): 
¥9,130
Author: 
James O. Young
Pages
240 Pages
Format
Hardcover
Size
148 x 217 mm
Pub date
Sep 2015
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The Fine Arts Reduced to a Single Principle (1746) by Charles Batteux was arguably the most influential work on aesthetics published in the eighteenth century. It influenced every major aesthetician in the second half of the century: Diderot, Herder, Hume, Kant, Lessing, Mendelssohn, and others either adopted his views or reacted against them. It is the work generally credited with establishing the modern system of the arts: poetry, painting, music, sculpture and dance. Batteux's book is also an invaluable aid to the interpretation of the arts of eighteenth century. And yet there has never been a complete or reliable translation of The Fine Arts into English. Now James O. Young, a leading contemporary philosopher of art, has provided an eminently readable and accurate translation. It is fully annotated and comes with a comprehensive introduction that identifies the figures who influenced Batteux and the writers who were, in turn, influenced by him. The introduction also discusses the ways in which The Fine Arts has continuing philosophical interest. In particular, Young demonstrates that Batteux's work is an important contribution to aesthetic cognitivism (the view that works of art contribute importantly to knowledge) and that Batteux made a significant contribution to understanding the expressiveness of music. This book will be of interest to everyone interested in the arts of the eighteenth century, French studies, the history of European ideas, and philosophy of art.

Index: 

PART ONE: WHERE WE ESTABLISH THE NATURE OF THE ARTS BY REFERENCE TO THE GENIUS THAT PRODUCED THEM
PART TWO: WHERE WE ESTABLISH THE PRINCIPLE OF IMITATION BY REFERENCE TO NATURE AND THE LAWS OF TASTE
PART THREE: IN WHICH THE PRINCIPLE OF IMITATION IS VERIFIED BY ITS APPLICATION TO VARIOUS ARTS
SECTION ONE: POETICAL ART CONSISTS IN THE IMITATION OF BELLE NATURE
SECTION TWO: ON PAINTING
SECTION THREE: ON MUSIC AND DANCE

About the author: 

James O. Young is Professor of Philosophy at the University of Victoria. He is the author of four books: Global Anti-realism (1995), Art and Knowledge (2001), Cultural Appropriation and the Arts (2008), Critique of Pure Music (2014), and over 50 articles in refereed journals. He has edited the four volume collection, Aesthetics: The Critical Concepts (2005) and (with Conrad Brunk) The Ethics of Cultural Appropriation (2009). Another collection of essays, The Semantics of Aesthetic Judgements, is forthcoming from Oxford. He is Artistic Director of the Early Music Society of the Islands.

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