OXFORD UNIVERSITY PRESS

Musical Portraits: The Composition of Identity in Contemporary and Experimental Music

ISBN : 9780190653507

Price(incl.tax): 
¥12,628
Author: 
Joshua S. Walden
Pages
200 Pages
Format
Hardcover
Size
156 x 235 mm
Pub date
Jan 2018
Send mail
Print

Joshua S. Walden's Musical Portraits: The Composition of Identity in Contemporary and Experimental Music explores the wide-ranging but under-examined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of identity in music, such as character, biography, and profession. By studying musical portraits of painters, authors, and modern celebrities, in addition to composers' self-portraits, the book considers how representational and interpretive processes overlap and differ between music and other art forms, as well as how music is used in the depiction of human identities. Examining a range of musical portraits by composers including Peter Ablinger, Pierre Boulez, Morton Feldman, Philip Glass, Gyorgy Ligeti, and Virgil Thomson, and director Robert Wilson's on-going series of video portraits of modern-day celebrities and his portrait opera Einstein on the Beach, Musical Portraits contributes to the study of music since 1945 through a detailed examination of contemporary understandings of music's capacity to depict identity, and of the intersections between music, literature, theater, film, and the visual arts.

Index: 

Introduction: Portraiture as a Musical Genre; Chapter 1: Musical and Literary Portraiture; Chapter 2: Musical Portraits of Visual Artists; Chapter 3: Listening in on Composers' Self-Portraits; Chapter 4: Celebrity, Music, and the Multimedia Portrait; Epilogue: Musical Portraiture, the Posthumous, and the Posthuman; Bibliography

About the author: 

Joshua S. Walden is the author of Sounding Authentic: The Rural Miniature and Musical Modernism (Oxford University Press, 2014) and the editor of The Cambridge Companion to Jewish Music (2015) and Representation in Western Music (2013). His writings on music have received awards from ASCAP and the Association for Recorded Sound Collections.

The price listed on this page is the recommended retail price for Japan. When a discount is applied, the discounted price is indicated as “Discount price”. Prices are subject to change without notice.