OXFORD UNIVERSITY PRESS

Vladimir Nabokov and the Art of Play

ISBN : 9780199603985

Price(incl.tax): 
¥16,434
Author: 
Thomas Karshan
Pages
288 Pages
Format
Hardcover
Size
148 x 222 mm
Pub date
Jan 2011
Series
Oxford English Monographs
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In a speech given in December 1925, Vladimir Nabokov declared that 'everything in the world plays', including 'love, nature, the arts, and domestic puns.' All of Nabokov's novels contain scenes of games: chess, scrabble, cards, football, croquet, tennis, and boxing, the play of light and the play of thought, the play of language, of forms, and of ideas, children's games, cruel games of exploitation, and erotic play. Thomas Karshan argues that play is Nabokov's signature theme, and that Nabokov's novels form one of the most sophisticated treatments of play ever achieved. He traces the idea of art as play back to German aesthetics, and shows how Nabokov's aesthetic outlook was formed by various Russian emigre writers who espoused those aesthetics. Karshan then follows Nabokov's exploration of play as subject and style through his whole oeuvre, outlining the relation of play to other important themes such as faith, make-believe, violence, freedom, order, work, Marxism, desire, childhood, art, and scholarship. As he does so, he demonstrates a series of new literary sources, contexts, and parallels for Nabokov's writing, in writers as diverse as Kant, Schiller, Nietzsche, Pushkin, Dostoyevsky, Bely, the Joyce of Finnegans Wake, Pope, and the humanist tradition of the literary game. Drawing in detail on Nabokov's untranslated early essays and poems, and on highly restricted archival material, Vladimir Nabokov and the Art of Play provides the fullest scholarly-critical reading of Nabokov to date, and defines the ludic aspect of his work that has been such a vital example for, and influence on, contemporary writers, from Orhan Pamuk, W. G. Sebald, and Georges Perec, to John Updike, Martin Amis, and Tom Stoppard. Through Nabokov, it addresses the literary game-playing that is one of the most distinctive elements in post-1945 literature.

Index: 

ACKNOWLEDGEMENTS
TABLE OF CONTENTS
TRANSLATION, TRANSLITERATION, STYLE AND FORMAT
REFERENCES AND ABBREVIATIONS
Introduction
1. The Origins of Nabokov's Idea of Artistic Play
2. ": Nabokov between Faith and Make-Believe, 1918-1925
3. Cards and Chess: King, Queen, Knave and The Luzhin Defense
4. A Praise of Idleness? Nabokov between Work and Play, 1925-1940
5. Free Play and Childhood from The Gift to Ada
6. Pale Fire and the Genre of the Literary GamePale Fire and the Genre of the Literary Game
Conclusion: Play and the Genesis of Secrecy
BIBLIOGRAPHY

About the author: 

Thomas Karshan is a Lecturer in Literature at the University of East Anglia, and prior to that was a Kennedy Scholar at Harvard, a Junior Research Fellow at Christ Church, Oxford, and a Leverhulme Research Fellow at Queen Mary, University of London. He is the co-translator of Nabokov's first major work, The Tragedy of Mr. Morn, a five-act play, and the editor of Nabokov's Collected Poems. He has written for the London Review of Books, the Times Literary Supplement, Essays in Criticism, Modernism / Modernity, and Nabokov Studies.

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